How To Suck Yoyr Own Pienis

[Benet Casablancas. © John Lucas]

The project has been exciting but brief. In 2009, Diverdi produced with the support of INAEM, the first six copies of a new record collection dedicated to the English music of our days, which was chosen suggestive Anemos mark, and at the end of 2010 appeared the second round, this time from five references, which appear to will also be the last, as the new Culture Ministry officials are not very interested in pursuing adventure. Anemos

began his career with monographs dedicated to Guerrero , Sotelo, Camarero, Rueda, Sánchez-Verdú and Cristobal Halffter , whose work serves as a common factor between the two deliveries as is now offering second volume of his music cuartetística, meeting the Quartet No. 2 Mémoires (1970), inspired by Beethoven, the date of the second anniversary of the birth of the great deaf and No. 7 silence Space (2007), which has as its starting point the extramusical Coplas Jorge Manrique. Two short works, with bravery and sense (1991) and Zeitgestalt (1996), complete the track. The Arditti Quartet hard work bears witness to the importance of personal music is always consistent and had not among us the necessary diffusion, perhaps blinded by the stunning brilliance of the composer's orchestral output. The question that arises is whether any stamp issued by the end of the series, and essential. Santiago De

Lanchares (Palencia, 1952) is included Castor and Pollux (2004-09), a ballet composed for piano and percussion in a recognisably tonal language, which loads at once with undisguised joy in the melody (the sensual opening Leda) and an intense and repetitive impulse rhythm (as in the presentation of twins). Miguel Bernat percussionist and pianist Sukarlan Ananda, which completes the CD with three models of notebook style (2009), come together in remarkable synchrony.

The remaining work is dominated by the orchestra. The RTVE directed by Adrian Leaper has four works by Alfredo Aracil (Madrid, 1954): "Notte Giardino (1994), with Adagio variations (1996), Landscape invisible (in two parts, separating the Adagio CD , 1999) and Prometheus Epitaph (2006). They all taste one way or another that Aracil like the textural refinement work, weightlessness, lightness and lyricism. La Nacional of Spain led by Josep Pons is about three works of Benet Casablancas (Sabadell, 1956): Three epigrams (2001), Alter Klang (2006) and Darkness visible (2009), music rich and varied orchestrations and inspiration expressionist. Finally, Luis de Pablo (Bilbao, 1930) makes an appearance two orders of the Orchestra of the RAI: \u200b\u200balmost a mirror (2004), a triptych that is ascribed to the composer's later style, full of lyricism and a light Mediterranean would seem, and Passio (2005-06), work ambitious texts written about Primo Levi and refers to the great tradition of incorporating gender vocal soloists and male chorus.
[ Diario de Sevilla. 26/02/2011 ]