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Madness

[The Galani]

founding a record label these days can pass through an act of madness. Or love. Love for music and a job well done, but also by the external beauty of the objects produced, for technical or editorial details, all those things that formerly occupied the large producers and companies that have recently been they begin to contemplate their own interpreters. Navarre also soprano Raquel Andueza and lutenist Jesus Seville Fernandez, who have embarked on the adventure of creating its own brand, placed under the joint patronage of the sense and sensuality: Anima e Corpo almost an Olympic theme to go to a world in crisis. Crisis

understood as a turning point for change, which dominate the possibilities offered by technology over economic or ethical issues, which is making the cultural industries are shaken beyond repair. The "hard object" however reluctant, perhaps not as a form of profit, but as a way of becoming known and more deeply and subtly, as an incentive to fix in time the personal conception of a particular repertoire.

If your debut album as a duo for the label NB Musika ( D'amore e tormenti ), Andujar and Fernandez came to the world of Italian Seicento, dear to the soprano, for the launch of his label have chosen a program offered in English Baroque trio, as they were compounded by the Austrian guitarist Pierre Pitzl . The Galani is called the new group, and its presentation will not only provide samples of human tones already known composers such as Marin and Juan Jose Hidalgo, Sanz dances with or Ruiz de Ribayaz, but approach the issue of Songs English in Europe such as the CD's title, as your eyes, which appeared in an edition of Ballard and musical feast Robert Dowland, as Your beauty, lady or Absence, edited by Steffani, or that I know I'm dying that Lully included in the entry of the English the immortal bourgeois gentleman.

Madness and the waywardness of love dominate a course that thematically on the lips of Raquel Andujar is an endless source of pleasure, commuting to and from body to soul, the desire to dream, dancing to the regret of the eros ethos, as there are here also all a way of understanding the art of singing, an identifiable and recognizable personality, not only for that ring sweet and singular, but a way of saying that while the emphasis despises and vulgar to go to the essence, the heart of what is sung. Never heard this code that is transparent and resplendent with light, with this absolute control over the nuances and the meaning of each word, never Menguilla not think this grace that leaves neither a second of being noble, never the Your s eye with such unintended irony, Marizápalos (finally with your text!) with this highly refined natural or Lully with such a young and vibrant blues.

[ Diario de Sevilla. 05/03/2011 ]

I AM THE MADNESS


The
Galani Raquel Andujar, soprano
Jesús Fernández Baena, theorbo
Pierre Pitzl, guitar

1. Henry du Bailly (? -1637): I am the crazy
2. Anonymous (siglo XVII): Marizápalos
3. José Marín (1619-1699): not think Menguilla
4. Benedetto Sanseverino (fl.1620-22): me Forgotten soys
5. Gaspar Sanz (c.1640-1710) Folías / Improvisation
José Marín:
6. Eyes as I desdeñáis
7. Love in extremities such
8. Anonymous: Your beauty lady
9. Jean-Baptiste Lully (1632-1687): I know I'm dying of
Bourgeois Gentilhomme 10. Lucas Ruiz de Ribayaz (1626 -?): Españolet
11. Anonymous: Absence
12. Anonymous: Your eyes
13. Anonymous: Or Venus
14. Anonymous: The beach is baxel
15. Juan Hidalgo (1614-1685): You only want
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ANIMA E CORPO AeC001 ( Diverdi ) [50'05'']
Recording: September 2010


Anonymous: Marizápalos. [4'27''] The
Galani