Friday, October 29, 2010

Rotary Razor Versus Foil

Prats dolphin released in Mexico

C Elebrás the appearance in Monterrey, Mexico, a selection of poems by the Cuban writer Dolphin Prats. Exile transient, as it is called the volume has been published by the label Mantis Editores this year and must be present these days in Holguin, Cuba City resides Prats.
Selection and preface also run by the Mexican poet Luis Aguilar, who has accurately noted:
"Pursued in a time and always marginalized, Dolphin has constructed a temporary exile: the time is the theme of writing. Then comes not only the country, but himself, because his amasiato the word has no boundaries, reasons, determinism, sex or ideology. It is true to himself, and poetry honesty will result set in splendor enough to make any chaos.
"While at the same time fresh and nourished by the best literary tradition, the work of our poet is, however, little known outside their country. The reason perhaps lies so dark in the rigidity of the academy, the fearful obedience or envy pure and simple. And despite this, the poet clings to this land with the loyalty of the defeated cancer, but does not even write from there, as interpreted by other exiles and their own malquerientes. Write from the vertical transparent poetry. Nothing more is needed. "
Dolphin I've written before in this blog. You can read here .

Friday, October 22, 2010

Homely Heriones Meens Boobs



Today
Journal of Cuba, Madrid:

Baquero's house


n U English novelist has had visit the mental hospital where he spent his days Herisau Swiss writer Robert Walser. In an effort speculative (Walser believes that he faked his insanity to withdraw from the world, ie the missing self-imposed), it meets the current chief doctor asylum, but it shows the reports that corroborate the Swiss author's mental disorder.
Under the snow, the Iberian tour continues and goes to the cemetery where the tomb of Walser. Take a few pictures. And memorable places has come before the European literary history: the Odeon Café, where they were James Joyce and Francis Picabia, and where ever danced Mata Hari, the Cabaret Voltaire, the starting point of the Dada movement and later the surrealists cave. Voltaire
close, had his home a famous Russian political activist, after ascending the regicide charge rail kepi the speed category of attire, from whom he reportedly played a game of chess with Tristan Tzara in Zurich same street now covered by the English novelist.
Someone says the vicissitudes of the Cabaret Voltaire over the last two centuries: greasy restaurant in the twenties, room decorated like a country house in the thirties, a nightclub of ill repute in the seventies, gay bar in the eighties, acquired in 2002 by a Swiss bank and then occupied by youth self-titled neodadaist graffiti that filled the walls.
At the end of your trip, we round the idea of \u200b\u200bdisappearance, understood as the possibility of collapse in world common.

Weeds and debris
At some point in their life journey, the Cuban writer, that being constantly punctured by the need to take sides, you should ask from which handles will rebuild its past, that is, propose a "non-disappearing", perhaps deciphered this as a reunion with himself and cancellation of the inability to move forward.
At the country level, we know, Cuba has tested the topic of the prison which caught the attention of Michel Foucault, the place in which "power is not hidden, not masked, shown as tyranny led to the smallest details. " However, what will happen to those writers who have been missing by an expressed desire for power? How to begin to recover, beyond the partial or symbolic, that piece of memory loss that reveals the work of an author denied?
A young journalist travels to Cuba Gibara on the trail of Guillermo Cabrera Infante. Discover that hardly anyone left who knows who he is. What remains of the old family house is a clumsy tackle on walls covered with cement blocks, which have added doors, windows and a roof in any way possible. Someone lives there today, but we will not stop asking.
time later, another young journalist moved to Banes, now in order to find out what was left of the house Gaston Baquero in town. And all is ruin your lens collects and weeds, walls that are shaken, they bid to stay upright, a yerbazal unpunished. Does not even have complete certainty that the house is searched, the former home of the poet's family. And as if the lyrics of a bolero old they were, who to ask if anyone can answer.
The natural state of a system like Cuba is destruction. His locus is the moor. The man in the street as well as understand and digest. Then ask you not to cooperate with the memory of a moment that has stayed behind. It has no known Cuban writer why other than the man in the street. Neither has memory to worship, not have their Cabaret Voltaire, even the photo of walking through a meadow Baquero anyone. No such thing as William Blake, quoted by George Steiner in The Idea of \u200b\u200bEurope has called "the sacredness of the smallest detail." What you have before you is that history has behaved like a fool.
What we in no way should seem trivial is the use we make of these spaces stolen from the memory of a nation, those sites that have been a reminder of the destructive capacity of the individual vested with power and ideological assumptions of a process manager, such that willingly and without tremor of panic had demolished the Capitol with the sole aim of assumptions underpinning.
In now's Cuba may be possible to aspire to put a kiosk with snacks and beaten on the porch of the ramshackle house, and since this will be a test to the edge of what we already know, the complete failure of this aberration called Revolution fifty year , but to try to reconstruct, from such debris, the handles of a besieged memory take us too many decades and perhaps fix it for the final effort in futility.

Photo: Ruins of the house of the poet Gastón Baquero in Banes. Daniel Alejandro taken in Facebook.

Monday, October 18, 2010

Ash Diamond And Pearl Images

Baquero's house two years of loneliness


L eo that Yeniel Bermudez player to integrate the Cuban national team, lives in Alaska. There was interviewed for the Anchorage Daily News , through which we learn what has been their avatars to settle in the United States and earn a living.
Yeniel was one of the Cuban players in March 2008, in Tampa, Florida, drawing an Olympic qualifying match ahead of Beijing, left the team and requested refugee status. What the press is commonly called here in the free world, with the horrible infinitive of "defect." In these two
years Yeniel just played football. It tells the interviewer that he was participating in a tournament with a lower-division team called Charleston Battery in South Carolina, where it has felt like an outsider. Currently has no professional contract. Even found a job, was fired from a previous job when his boss found out you can not write in English, "although it is connected to a school volunteer.
not accompanied him to say much fortune. He tried to play for Chivas USA, where campaigning striker Maykel Galindo, but a tear in the ligaments erased any chance of debuting in the MLS. Previously, had not been integrated into the organization's Los Angeles Galaxy because he still did not have papers.
Now he trains alone in a field school. There is no one with him, no one to pass the ball, only your partner and journalist. He still wears the costume of the national team that was once the captain and now to his younger brother, back in Cuba, has been marginalized. Is waiting for an offer, preferably from the United States, which continues to play mediocre football.
for the former defender Cienfuegos team, they have had two years of loneliness. But no matter how hard life of migrant, Yeniel has endless possibilities to succeed today, quite a lot more of him on the island were denied those opportunities come true one day now depends solely on him, his talent and dedication put to stay ahead way, and not irrational subordination to a government that no longer can boast of holding (thankfully) not even an ideological coherence. Much less can promote and fund a sports movement that yields the results of the past.
In this global disaster that has made the island of Cuba, the only thing that seems worthwhile is to escape by any means, bet on the questions of the future instead of living rooted in the past. That was what made Yeniel and although she has even gone so well, the first step and gave it, which is acquiring for himself an individual freedom that nothing and no one may be limited.

Photo: Bob Hallinan / Anchorage Daily News

Thursday, October 14, 2010

Walkie Talkie Alpha Bravo



Lazarus
How were you when you drank?
someone asks as if wondering about the dead.
may have reason
who dies is not the same raises.
Jorge de la Garza Cantú

My cigarettes are grips with reality. That uneasiness in the stomach, the heat uncomfortable whole through me when the time becomes water is forcing my trembling hands to light the next. I always had a nervous character. My life is a panther crouching, ready for the big jump, but still.

My mind is filled with boxes of papers stuck urgent cry. I have a lot of incomplete lists, plans unattended. The time to dream and so I scattered. I'm turning again and again to things I put on hold (pending the capacity, resources, courage, decisiveness) and thus lost in the chaos that reigns inside my head. Everything is logical, yet twisted, as if my skull was the wonderland.

I have this great recipe, the ingredients, but I dare not enter the kitchen. Anything seems more important (look, a butterfly). It is a mixture of apathy and insecurity that keeps me static. Books are the only ones who get to talk, and even their voices seem distant at times.

Writing is terrifying. You undress and go out. The whole world can see every one of your flaws. Writing leads to frustration disappointing. To my bad luck, writing is like breathing.

I holding my breath too long and awkward gasps respite now, pulling all the air I can to my lungs. It's just something I have to do. My call, you might say.

And now I'm here, smoking, banging the keys on my computer recently arranged (as if it were a typewriter), naked before strangers (either I is not a stranger).

How do you explain, DVD, panic produced by the blank page, the burden readers have asked your words, the shame of not being able to accommodate a successful online? How can you understand what is trying to justify such a long absence, a sterile literary period, when your whole life is geared to the words?

None of the ways in which intended to return and say hi again seemed appropriate. The only thing is I was able to come and spew my thoughts hoping that you take as an apology and believe with more conviction than I perhaps did not lose my ability to all for what they really serve.
Crave is the only word that can explain how I feel. Can be translated as "crave, crave, need." I crave for life and a lot of stuff that I really dont need. I wish I could concentrate.

My point with all the shit I just wrote is that I am remodeling. At first everything is hunky-dory why you are all motivated and energetic, but then when you realize the work that still needs to be done, habits such as walls, you have to pull the rubble of the past to dismiss, the plans for a strong foundation and lasting trace, you need expensive materials to build the life of your dreams, construction and workmanship tired of you have, you get pretty sick at the magnitude of the company.

Big plans, yes sir, but under budget. And under budget involves double Ching, with all the sorrow in the world, I am an egg producing the worst. I was born tired. But the dream is strong (as I do not sleep), so I'm still here, like an idiot, standing in the black of my life pieces that move too slow for my taste.

feel that this blog has not left me. I grew up and simply is not my style. Make no mistake, I love each and every one of my posts, I love the tone of the site, but it's like twenty kilos off and try to wear your favorite dress.

Same and I'm malviajando. I just want you to know how guilty I feel so shut up. How out of place I feel at this time. I know I'll write in the future, for sure, but maybe it here, do not know if I can tailor the garment or if I have to find a new one that is comfortable. I will not leave (You can not have you forsaken me, thank you) and if I move I promise you'll be my first guest. While

destroyed everything to build it again, I can only fumarme another cigarette and trying to remain standing. With a little luck walk soon.

Friday, October 8, 2010

White Lumps Coming From Tonsils

Vargas Llosa or visible man

Today
Journal of Cuba, Madrid:
Nobel Vargas Llosa and Cuba, memory and visibility Michael H. Houston Miranda 08/10/2010 - 6:31 pm .
M ost years later, to a young interviewer Cuban, Mario Vargas Llosa was kind enough to ask for Havana. Was he then the interrogator. The writer wanted to know, recalled a site, bodies of La Rampa, determined by a city that no longer exists, habitable and inhabited only in his memory, a fateful findings Square, the scene of a battle is not over. Havana evocation of the now-at last Nobel Prize untwist a series of clashes that were sparked presume after the news of the award. Already run a few comments thrown rolling from those narrow circles of power tropics: the thing smells like something that goes beyond literature. For Havana, there will always be something beyond literature even when there is not even literature seriously. But Vargas Llosa should be very quiet. He was the man of letters, has embodied an office, has survived his own exhaustion and finished by winning an endurance race that, lest we forget, was the first stretch his most memorable moment just before the Revolution as criminalized. First of all we should ask how Vargas Llosa has been read from Cuba. His novels always came at the wrong time, although by that time we had learned how to read negative, on the underside of certain pages, to avoid a headline in Granma the eye of the accused. How to read the writer is bound to recover that same past is going to be stabbed every day for power? The uneasy relationship of the writers of the boom with the Cuban Revolution is based on the ancient Latin American misunderstanding of the possibility of redemption by the promised power. And yet the fabric of this relationship describes the same curve emphatic of all hypocrisies manual. With hindsight we can inquire and crudely what Vargas Llosa was excited about a process that only in October 1959 had already become something of a farce. The Cuban Revolution was and remains what Vargas Llosa has reported that it was the Soviet Union as global single point: the greatest-and logic the worst-challenge for Latin American democracies. These revolutionaries themselves were not going to forgive after his much visibility, political activism and opposite that reached to rub the presidency of Peru, let alone its economic success if it meant he would not leave a weight into the coffers of America Department dismantled . That same political visibility as uncomfortable for the Castro regime that the Academy was delayed a verdict of such justice. Arthur Lundkvist had sworn that Jorge Luis Borges would not take the prize as he was to stop it. To the derision of the Swedes, Borges died first that such Lundkvist. Vargas Llosa has survived them both and left a couple of novels that can safely considered masterpieces. Another four or five are quite memorable and sufficient to leave an imprint on English literature, to ensure posterity. And we know that sometimes do not even need a book to qualify as a classic. But the academy had been devaluing the award which would suck without even sixty years. That would be great news if Julio Cortázar and Roberto Bolaño had not died so young. Cubans who love liberty have no reason to feel indifference to the awarding of this prize to Mario Vargas Llosa. Because few intellectuals, writers and artists have shown a greater persistence in Bury the repressive nature of the regime in Havana. And because you can imagine how painful a story and in the caverns of the torturer, where they arise / occur the dark frames of real life stories of individual resistance to the power that Vargas Llosa has put several of his novels.
Image: Journal of Cuba